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deborah goletz
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Functional Porcelain / 
Atmospheric Effects for Electric Firing
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In the first 2 days of this workshop, Steven Hill will throw and alter pots and work with slip, all the while communicating his enthusiasm for functional porcelain, spraying glazes and single firing. Steven considers form the most important single aspect of his pottery, paying particular attention to rims, feet, lids, spouts, and handles. Discussions will cover philosophy, design, technique, and his 40 years of making a living in clay.
“I have been inspired by the variation that occurs naturally across the surface of salt, soda and wood fired pots. In my own pottery, I have been creating atmospheric surface qualities through careful blending and layering of sprayed glazes for over 40 years!”
Until December of 2008 Steven fired exclusively gas reduction, but he has discovered that his cascading rivulets of ash-like glazes and mysterious microcrystalline mat surfaces work just as effectively in oxidation as they do in reduction! Even the rich brown and orange colors that he always attributed to reduction firing are possible in oxidation. These days Steven fires exclusively ^6-8 electric oxidation.
Sunday will end with Steven raw glazing pots he made the first day. 
During days 3 and 4 of this workshop the class will throw and alter pots based on Stevens forms and work with decorative slip. Steven will lead the class with demonstrations of pitchers, cups, bowls and other forms. The focus will be on spouts, handles, form, surface, and the relationship between these elements.
Although Steven fires in an electric kiln these days, he works with techniques that get the best out of wood and soda firings. His work has many edges, both on the form and his use of slip that will be natural gathering points for ash and soda.
Steven Hill received his BFA from Kansas State University in 1973 and has been a studio potter since 1975. Steven’s work is exhibited and sold in nationally juried shows and is featured in many ceramics books. He has conducted over 200 workshops throughout the United States and Canada and has written 11 ceramics articles; “An Approach To Single-Firing” (January 1986, Ceramics Monthly), “Long Distance Runner” (December 1989, Studio Potter), “Don’t Put The Flames Out” (February 1994, Ceramics Monthly), “Pulling Handles”, (Spring 1998, Pottery Making Illustrated), “Where You’ve Been Is Good And Gone, All You Keep Is The Gettin’ There” (April 1998, Ceramics Monthly) , “Spraying Glazes”, (March 2002, Pottery Making Illustrated) “Common Ground: A Showcase of National Artists-In-Residence” (Ceramics MonthlyJanuary 2006)and  “An Approach to Single Firing – Further In”), (January 2006, Ceramics Monthly), “Rethinking Ceramics Workshops”, (Ceramics Monthly, May 2007), “The Eight Month Workshop: A Journey of Discovery”, (Ceramics Monthly, June 2008). Steven’s most recent article, “Atmospheric-Like Effects for Electric Firing” is in the March 2012 Ceramics Monthly.
In 1998 Steven co-founded Red Star Studios Ceramic Center in Kansas City, MO and he co-founded Center Street Clay in Sandwich, IL in 2006. Currently Steven is doing what he does best… Making pots, writing about ceramics, teaching workshops and letting someone else take care of business! His new home is 323 Clay in Independence, MO.
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Day 1 – Throwing and altering, discussions ranging from aesthetics to philosophy to technical issues to business practices
Day 2 – Powerpoint presentation, trimming and assembly of pots, discussion of spraying and layering of glazes, electric firing and glazing demo 
Day 3 and 4 – There will be additional demos, but most of the time will be devoted to students throwing, assembling and working with slip.
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The fee is $200 for each two-day workshop. To reserve your space, please email us and send payment via PayPal or send checks to:
Alison Palmer
P.O. Box 686
Kent CT 06757
The workshop will be held at:
THE Alison Palmer Studio • 48 Stone Fences Lane • South Kent CT 06785 • 860-927-4680

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APRIL 16-17, 2016

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AUGUST 6-7, 2016

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SEPTEMBER 23-24, 2016


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